Originally Posted by
macaroonie
Re the first question , clearly there is a huge price difference between the low and high end end DSP, it begs the question other than greater PEQ , processors , facilities then what is one actually getting.
This plays directly into the M2 discussion
The second question brings in the debate about speaker measurement in general. Manufacturers in general use anechoic conditions to test their products and aim to achieve a flat response ( with other factors like dispersion / phase taken into consideration ) but from there you are at the mercy of your home environment response.
Aside from the hard core filter parameters , slopes frequency phase I am curious whether one forgets the anechoic part and aims directly for room response.
I'm leaning towards agreeing with you for the following reason. All this DSP technology M2 and all, filters down from the well established practices with Tour Sound where as you will no doubt be aware the system is tuned to the room / arena from setup.
Having said that I have found with my system 3 way analogue active ) that slight changes of crossover frequency have made significant improvements. Of course you can do this easily with DSP assuming you are hooked up to a PC or whatever.
I suspect it might be a long path for you Ron , hopefully with a happy ending.
Mac