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Thread: California Audio Show 2013

  1. #1
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    California Audio Show 2013

    Here are some pics from the CAS 2013 last week end held at the Westin Hotel, Milbrae, SF Bay Area.

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    JBL inspired Linn Audio Athenaeum

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    2 way 15" + wave guide, crossover point 1.2K, price $50K

    Very smooth mid/high, good high frequency extension, lacks mid bass/ bass, did not image well. Demo CD was Diana Krall live in Paris which I am very familiar with. Her voice was very very smooth. I could hardly hear the up right bass guitar. Active xover optional. Demo was the passive version. Amps were Pass Labs.

    More pics to come.

    Dan

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    Burwell & Sons

    Altec inspired design using vintage Altec drivers

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    Excellent imaging, dynamics. I think it needs a tweeter, lacks the sizzle. Good integration of bass and horn, good slam on the mid bass. Voices float inbetween the L and R speaker. Not sure on price. I think I over heard them saying about $60K ???

    Dan

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    Senior Member martin_wu99's Avatar
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    Very impressive,more pics please
    46 lover

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    Senior Member DavidF's Avatar
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    Hi Dan. Good to know someone else among this group was there. I could not spend the enough time up there as I wanted to this year.

    Linn’s company has been around for a while. The operations moved to Oakland CA sometime recently from the east coast. He favors high efficiency designs and compression driver top ends. His forte had been huge 7 foot dual woofer designs. This single woofer model was probably an attempt to get some sales in a smaller format market. Can be pricey.

    The Burwell family are all really great audio enthusiasts. Fun to talk to and sincere folks. The systems are expensive at $60-80,000. They look around for vintage drivers and hand-craft their own horns and cabinets. Way out of my range for me to consider on price, plus, I just don’t care for the rolled off bass of the A-7 style configuration. I agree they are soft in the treble but they have some valid reasons for not trying to plug in a small ultra-high driver. Much smoother and balanced than any Altec I have heard.

    Lot’s of special 2-way speaker systems on display for this show. From Fritz speakers on the low end to Wilson Duette II, Audio Note and YG Carmel at the upper end.
    The Wilson actually got a WOW reaction out of me. The room was moderate sized conference room but what I first noticed was the up-against-the-wall position. Second was the punch, power and clarity from an 8 inch two-way playing Stevie Ray Vaughn at an appropriately high sound level. Wilson designed the system for near-wall positioning. Soundstage and imaging did not appear to suffer. Expensive at $20kor a little less but a first class choice for dynamic, clear sound in a small package that does not have to placed out in the actual living space of a living room.
    David F
    San Jose

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    Good Reveiw

    Quote Originally Posted by DavidF View Post
    Hi Dan. Good to know someone else among this group was there. I could not spend the enough time up there as I wanted to this year.

    Linn’s company has been around for a while. The operations moved to Oakland CA sometime recently from the east coast. He favors high efficiency designs and compression driver top ends. His forte had been huge 7 foot dual woofer designs. This single woofer model was probably an attempt to get some sales in a smaller format market. Can be pricey.

    The Burwell family are all really great audio enthusiasts. Fun to talk to and sincere folks. The systems are expensive at $60-80,000. They look around for vintage drivers and hand-craft their own horns and cabinets. Way out of my range for me to consider on price, plus, I just don’t care for the rolled off bass of the A-7 style configuration. I agree they are soft in the treble but they have some valid reasons for not trying to plug in a small ultra-high driver. Much smoother and balanced than any Altec I have heard.

    Lot’s of special 2-way speaker systems on display for this show. From Fritz speakers on the low end to Wilson Duette II, Audio Note and YG Carmel at the upper end.
    The Wilson actually got a WOW reaction out of me. The room was moderate sized conference room but what I first noticed was the up-against-the-wall position. Second was the punch, power and clarity from an 8 inch two-way playing Stevie Ray Vaughn at an appropriately high sound level. Wilson designed the system for near-wall positioning. Soundstage and imaging did not appear to suffer. Expensive at $20kor a little less but a first class choice for dynamic, clear sound in a small package that does not have to placed out in the actual living space of a living room.
    Nice professional sounding feedback on sp. performance....got any pics on the Wilson?

  6. #6
    Senior Member DavidF's Avatar
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    Quote Originally Posted by Fort Knox View Post
    Nice professional sounding feedback on sp. performance....got any pics on the Wilson?
    No original pictures from me. I never seem to think ahead to bring a camera.

    Jason Serinus of Stereophile has always been in attendance at the show I can point one of his pictures. I could also second his comments on the Wilsons. Not going to pry my affection away from my ersatz Array 1400s but I could easily live with them if I couldn't fit large boxes into my domicile.

    http://www.stereophile.com/content/c...caling-heights


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    David F
    San Jose

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    Wilson Audio Alexia

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    The Alexia is a compact version of the Alexandria XLF. They share the same 7" mid and 1" tweeter. The Alexia uses an 8" and 10" woofer. Bass port is located at the back facing the wall. Drivers are time aligned.

    The demo room was a small function room in the hotel at least about 10 times larger than a regular hotel room. The speakers were set up close to the wall and far apart from each other. I don't think it was designed to be set up this way since the design goal of the Alexia is to fit in confined spaces.

    They were playing it loud. Almost party loud. The mid/high was very smooth. No break up and well integrated. The bass was a bit boomy and powerful. You could see the bass drivers move in and out like a pump. Similar to small subwoofers. It seemed like it was playing more than what was in the recording bass wise. They were using vinyl for the demo.

    Although the Alexia could play loud it lacked the dynamics of a high efficiancy speaker. Sensitivity is 90db.

    It was difficult for me to evaluate imaging. I could not find a sweet spot at the listening position. I think the room was too big and the speakers were too far apart.

    As a compact speaker the Alexia is very good. Price is $50K pair.

    Comparable speaker would be the B&W 800 Diamond series $24K pair. What sets these two speakers a part is the xover point of the the mid/tweeter. B&W 800 is at 4K and the Alexia is at 1K (?).



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    Dan

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    Wow, $50-$60k for each of those...wouldn't you say overpriced? Maybe not. I just can't help thinking that, however.
    S4700 owner.

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    Quote Originally Posted by Dave_72 View Post
    Wow, $50-$60k for each of those...wouldn't you say overpriced? Maybe not. I just can't help thinking that, however.
    I read Jasons report on the "light" SHOW attendance ..even on Saterday..
    Equipment prices could be blamed of that..Domestic guys shoudn't let
    foreign money fool them..Undersell (like they did) and retake the market
    back//

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    Quote Originally Posted by Dave_72 View Post
    Wow, $50-$60k for each of those...wouldn't you say overpriced?
    They're targeting a specific personality disorder.
    Quote Originally Posted by Fort Knox View Post
    Equipment prices could be blamed of that..
    Income inequality is more severe in the U.S. than it is in nearly all of West Africa, North Africa, Europe, and Asia. We're on par with some of the world's most troubled countries, and not far from the perpetual conflict zones of Latin American and Sub-Saharan Africa. Our income gap is also getting worse, having widened both in absolute and relative terms since the 1980s. It's not a problem that the "Buffett rule" would solve on its own, but at least the U.S. political system is starting to acknowledge how serious things have become.
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    Quote Originally Posted by 4313B View Post
    They're targeting a specific personality disorder.Income inequality is more severe in the U.S. than it is in nearly all of West Africa, North Africa, Europe, and Asia. We're on par with some of the world's most troubled countries, and not far from the perpetual conflict zones of Latin American and Sub-Saharan Africa. Our income gap is also getting worse, having widened both in absolute and relative terms since the 1980s. It's not a problem that the "Buffett rule" would solve on its own, but at least the U.S. political system is starting to acknowledge how serious things have become.
    True regarding the disorder. Yes, unfortunately that's true as well. It's becoming more and more difficult to get into high end audio for most.
    S4700 owner.

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    Quote Originally Posted by Fort Knox View Post
    I read Jasons report on the "light" SHOW attendance ..even on Saterday..
    Equipment prices could be blamed of that..Domestic guys shoudn't let
    foreign money fool them..Undersell (like they did) and retake the market
    back//
    I see. Good point. I agree with that.
    S4700 owner.

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    Administrator Mr. Widget's Avatar
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    Quote Originally Posted by Dave_72 View Post
    True regarding the disorder. Yes, unfortunately that's true as well. It's becoming more and more difficult to get into high end audio for most.
    The state of income inequality in the US is most disheartening, but there is no way we can discuss it without a political discussion and ensuing ugliness.

    Regarding the state of the "High End"... there are countless used bargains out there. If you are willing to forego the convenience of a remote and go back to the older Levinson, Threshold, Audio Research etc. pieces, there are fantastic sounding pieces for hundreds not thousands and as we all know, there are many large older speakers that people have abandoned due to their size and styling. As for new gear, even the entry level digital has gotten much better, and for a few hundred dollars you can get a modern DAC that is better than an early very high end model.

    Personally I think the easiest way to have very high end sound at a reasonable cost is to play vinyl records via older gear... I don't mean lower end or very vintage gear, but an older Linn or even a nice Rega with a nice cartridge can be had for a very reasonable price and with an older high end preamp it will sound very close to the very best of what is available today.


    Widget

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    Stereo Shootout

    Quote Originally Posted by Mr. Widget View Post
    The state of income inequality in the US is most disheartening, but there is no way we can discuss it without a political discussion and ensuing ugliness.

    Regarding the state of the "High End"...
    Widget
    How about "Next year's Audio Show....(to generate more interest)
    Invite OLD High End vs. New... put a space aside for
    Showing Off Old Polished systems....and Compare sound to see if
    the new stuff's worth the carrots your putting out for it

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    Administrator Mr. Widget's Avatar
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    Quote Originally Posted by Fort Knox View Post
    How about "Next year's Audio Show....(to generate more interest)
    Invite OLD High End vs. New... put a space aside for
    Showing Off Old Polished systems....and Compare sound to see if
    the new stuff's worth the carrots your putting out for it
    HiFi shows are not altruistic ventures... The purpose is to sell goods. If a vintage retailer wanted to fund such a demo it could happen, but I don't see it as very likely.


    Widget

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