The issue with such wide systems is that the box location for the best bass response is seldom the best location for the best imaging.
The tall boy designs are far easier to engineer for a smooth in room bass response in a domestic environment than the wide low boy designs.
The pronounced low end of the larger blue baffle monitiors in a domestic environment is in many ways the name sake of the classic JBL signature sound that so many of us relate to when we associate with the JBL brand . For the technically inclined the reason behind that bass is aggressive system tuning often above 30 hertz.
If however you find a 4344 flush mounted into a wall like the contemporary Jazz Bar I visited in Tokyo the bass is smooth and detailed.
This is because there is no boundary reflection.
In contrast the more contemporary systems with the banana curve tuning are such that the box can be put much closer to a wall boundary in a domestic environment and the result is a smooth bass response.
This will not please everyone and some even say the newer systems have amore HiFi voicing as a result.
Perhaps this is why JBL Japan current market both ranges.