Rumor has it the S3900 will eventually be available in the Americas and Europe after its Asian debut.
2ch: WiiM Pro; Topping E30 II DAC; Oppo, Acurus RL-11, Acurus A200, JBL Dynamics Project - Offline: L212-TwinStack, VonSchweikert VR-4
7: TIVO, Oppo BDP103D, B&K, 2pr UREI 809A, TF600, JBL B460
Do you mean it all depend on your money?what you pay is what you get
Look at these,the price is very good,190K RMB include shippment
His system
Before
MARK 31.5+30.6
BURMSTER 069
DCS SCARLATTI
KRELL EVOLTION 505
CHORD RED REFERENCE MK2
SME 20+SME V+BENZ LP+AESTHETIX PHEA
CLEARAUDIO MASTER REFERENCE+MASTER TQ-1+BENZ LP+FM122
Othere gear
MARK 32
AUDIO M8
MARK 33H
FM 611X
FM 711
MBL 9011*2
BOULDER 2050
VIOLA BRAVO TWO BOX
GRYPHON ANTILEON SIGNATURE MONO
HALCRO DM 88..........
ROCKPORT ANTARES
Now
DCS SCARLATTI SYSTEM
SME 20+SME V+BENZ LP+AESTHETIX PHEA
KRELL EVOLITION ONE+TWO
JBL 66000
But he sold JBL 66000 for Wilson ALEXANDRA?
46 lover
2ch: WiiM Pro; Topping E30 II DAC; Oppo, Acurus RL-11, Acurus A200, JBL Dynamics Project - Offline: L212-TwinStack, VonSchweikert VR-4
7: TIVO, Oppo BDP103D, B&K, 2pr UREI 809A, TF600, JBL B460
Despite the macho superiority of the Japanese audiophile space is becoming an issue and the VAS and the diameter of the 12 inch driver dominate enclosure size and the room when you are talking dual 12's. Attempting to crossover the 12 inch driver below 1000-1200 hertz will alao result in a wide baffle that may not be suitable for market appeal.
The 10 incher however can operate up to 1600 hertz or higher and the result is a higher crossover point and a narrower front baffle that will sound better and look better in a space that will not accept a system the proportions of the Everest. In fact I thought the 9900 I heard in SF in 2010 as bought by Ti Dome was superior in the room we had on hand at the show.
Hence the old adage, big speakers belong and sound better in big rooms
Enter the dual 10 inch system
That maybe but its not the end of the market this design is focusing on.
Many is not all and speaking from practical experience the retail of slender tallboy systems is alive and well.
(Tokyo population 12 mil, Japan population 127,368,088 as at March 2012)
http://www.audioheritage.org/vbullet...l=1#post224306
I concur with your opinion, Martin. Looks play an important role in these things. Especially in areas where this is a significant factor, attractiveness is a key motivator.
Many here have made their own wonderful custom speakers using JBL and other components, and we often rave at the looks and the quality of construction. We can never hear them, but we believe they are awesome nonetheless because they look so amazing.
I will say however, that a "slim" system like the K2 S9900 appeals to me more than an Everest II DD66000, or a "slim" 4430 appeals more than a 4435, because they both look and sound better in the kinds of environments I can provide. So, it's not always about caring more about room decoration than sound quality. It's also about the right speaker for the room, Hopefully, we find both an attractive speaker and good room compatibility in the same loudspeaker.
Out.
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