Page 1 of 2 12 LastLast
Results 1 to 15 of 17

Thread: Best studio monitor for under $400

  1. #1
    thredayevt
    Guest

    Best studio monitor for under $400

    Hello,

    I'm trying to start a 'hi-fi' speaker system. I've been researching vintage studio monitors because they seem to be the best bang for the buck (I'm a poor college student )

    In your opinion, what is the best speaker for under $400-500. I've read about the JBL L100's, 4310, 4311, 4312. These all seem to be readily available on ebay, craigslist, etc. Is any one of these models significantly better than the other??

    Are there any other models I should consider? Also, what about other brands/models of that era?

    One last question: what should I worry about when buying these speakers used? It seems like the foam on most JBL's tends to degrade over time. Obviously, I'll make sure there's no rubbing or distortion before I buy.

    Thanks for the help. This is a great message board!

    --Jeff

  2. #2
    JBL Dog
    Guest
    It was never classified as a monitor, But the JBL L100t is a fantastic speaker that can be picked up for $200 - $400 depending on condition. It is loaded with 2214H, 104H-2 (?) and 035ti. I used them from 1988 - 2002 before bucking up for a set of 4343's.

    Good Luck!

    This message comes from JBL Dog
    Last edited by JBL Dog; 09-20-2004 at 11:20 PM.

  3. #3
    RIP 2011 Zilch's Avatar
    Join Date
    Jun 2004
    Location
    Berkeley, CA
    Posts
    9,963
    No foam in those "control monitors" you've mentioned, actually. They're all basically from the same "genre."

    Don't be afraid of foam surround JBL woofers. It's cheap and easy to replace the surrounds.

    For $400 - $500, I'd be lookin' for a pair of 4412's or even 4425's (if yer lucky!)

    These ARE actual studio monitors....
    Last edited by Zilch; 09-21-2004 at 12:35 AM.

  4. #4
    JBL Dog
    Guest
    The 4425 would be fantastic if you were lucky enough to find a set for $500. It uses the same LF driver as the L100t, a 2214H. You can get about 12 - 15 years out of a foam surround before it starts to break down. JBL recommends doing a full recone rather than just doing new surrounds on all of their foam surround drivers. 2214H recones will run about $150 each. New surrounds will cost around $40 each done professionally.

    This message comes from JBL Dog

  5. #5
    Figge
    Guest
    Originally posted by JBL Dog
    JBL recommends doing a full recone rather than just doing new surrounds on all of their foam surround drivers

    course they do, it cost more

    Hi Jeff!

    and wellcome, the 4425 imo would be the best if u can find it in the price range ur looking in, and it will probably make any $2500 or even more "audiophile" speaker look pale!. them 43xx are nice too though. (no worry for surrounds with those). go with he highest number if u decide the 43xx. those u mentioned are "classics" sort of entrylevel (i dont mean that as bad)

    u cant go wrong with JBL! nice choise! what made u think about getting jbl pro?
    Last edited by Figge; 09-21-2004 at 02:31 AM.

  6. #6
    Obsolete
    Join Date
    Apr 2003
    Location
    NLA
    Posts
    12,193
    Originally posted by Figge
    course they do, it cost more
    Actually that isn't why at all. The reason is the cone kit is spec. and the aftermarket surround is not. I've got eight 2234H's and 2235H's sitting here in front of me that could be poster-drivers for NOT doing aftermarket surrounds. Obviously someone used the wrong surrounds. Some don't even match the others. So, all the drivers still need recones.

  7. #7
    Figge
    Guest
    me just kidding.

    however i think ricks $20 kits work very well!
    Last edited by Figge; 09-21-2004 at 03:08 AM.

  8. #8
    Obsolete
    Join Date
    Apr 2003
    Location
    NLA
    Posts
    12,193
    Yeah, I think I'll order a couple just to see how they compare to the aftermarket surrounds already pasted on these drivers.

  9. #9
    Senior Member GordonW's Avatar
    Join Date
    May 2003
    Location
    Marietta/Moultrie GA USA
    Posts
    1,455
    Originally posted by Giskard
    Actually that isn't why at all. The reason is the cone kit is spec. and the aftermarket surround is not. I've got eight 2234H's and 2235H's sitting here in front of me that could be poster-drivers for NOT doing aftermarket surrounds. Obviously someone used the wrong surrounds. Some don't even match the others. So, all the drivers still need recones.
    I defy anyone to look at one of my re-foam jobs, and be able to tell that it's NOT a factory cone/surround kit.

    When you have parts that are MEASURABLY identical (dimensions, stiffness) to the originals, and are installing them in otherwise un-damaged cone assmemblies, there's NO TECHNICAL REASON WHATSOEVER that they shouldn't sound (and look!) just like the originals...

    Regards,
    Gordon.

  10. #10
    Administrator Mr. Widget's Avatar
    Join Date
    Apr 2003
    Location
    San Francisco
    Posts
    9,738
    Originally posted by GordonW
    I defy anyone to look at one of my re-foam jobs, and be able to tell that it's NOT a factory cone/surround kit.
    Using great care and the right surround will no doubt make a perfect looking speaker. But you can't forget that the spider does wear too. It will last longer, but with many years of use it too will eventually need replacement, and for my money at that time I certainly would spring for the correct kit.

    Widget

  11. #11
    RIP 2011 Zilch's Avatar
    Join Date
    Jun 2004
    Location
    Berkeley, CA
    Posts
    9,963

    Hang on, folks,

    We're talkin' "poor college student" here. Do we advise them to stay away from systems with foam surround woofers because the surround lifetime is finite as others have apparently done?

    Not for a second. This forum provides reliable advice on what surrounds to use, where to get them, and how to successfully install them, even DIY.

    They can replace the cone/surrounds with a factory kit later, if they want, after they get a job.

    For now, get the best SYSTEM you can; they can be reworked economically, if required, with excellent results. AND, you learn stuff, make new friends, and have great good fun all along the way....
    Last edited by Zilch; 09-21-2004 at 10:15 AM.

  12. #12
    Senior Member louped garouv's Avatar
    Join Date
    Jun 2004
    Location
    formerly "the city where imagination takes precedence over fact"
    Posts
    2,152

    Re: Hang on, folks,

    Originally posted by Zilch
    For now, get the best SYSTEM you can; they can be reworked economically, if required, with excellent results. AND, you learn stuff, make new friends, and have great good fun all along the way....
    that is some sound thinking -- i agree completely....

    and love my 19s (Studio model)

    kinda off topic but.... are there two models of 19s

  13. #13
    thredayevt
    Guest

    What about these models??

    I can find 4412's for 300 (need refoam--have been used in a studio for many years), 4310, 4311 WX-A, 4312 (good cond.), 4312C(good cond.), and L100's all for about 300. Which do you guys think I should buy? The 4412 has the highest frequency range of any of those speakers.

    Any of the higher numbers in these series seem to be too expensive (e.g. a 4425 for $800).


    Thanks,

    Jeff

  14. #14
    Figge
    Guest
    of the mentioned systems i´d go with the 4412. dont worry about the foam, as zilch said: cheap $20-30 and easy to replace!. and its definently worth replacing!

    if u dont want to do the refoam and just "plug and play" its the 4312 that should be considered.
    Last edited by Figge; 09-21-2004 at 01:13 PM.

  15. #15
    RIP 2011 Zilch's Avatar
    Join Date
    Jun 2004
    Location
    Berkeley, CA
    Posts
    9,963

    Re: What about these models??

    Originally posted by thredayevt
    Which do you guys think I should buy? The 4412 has the highest frequency range of any of those speakers.
    4412 is an industry standard studio monitor. Absolutely no coloration. 8 of them hang from the ceiling of Tower Records here. Get 'em....

    They should be a mirror-imaged pair, i.e., a left and a right. If you're worried about refoaming, your local reconing professional does it routinely for about $40 - $50 per driver, maybe less. Give them the "poor college student" routine for the appropriate discount. Ask questions and nose around there, if they'll let you. They're speaker-lovin' people - learn cool stuff.

    The current "A" version has no mid or high adjustment controls, and a "utility" painted cabinet. I like the older walnut ones (no "A") better for home.

    Oh, and edit your profile to display your location here. You never know but that some forum regular who does refoams routinely lives in the next town over. There's almost 900 members here now....
    Last edited by Zilch; 09-21-2004 at 01:38 PM.

Thread Information

Users Browsing this Thread

There are currently 1 users browsing this thread. (0 members and 1 guests)

Similar Threads

  1. studio monitor owners manuals
    By dblaxter in forum Lansing Product Technical Help
    Replies: 7
    Last Post: 11-14-2005, 03:00 PM
  2. Sound Reinforcement in a TV Studio
    By droh in forum Lansing Product General Information
    Replies: 10
    Last Post: 11-22-2004, 09:15 PM
  3. Dual 18 studio monitor?
    By glen in forum Lansing Product General Information
    Replies: 4
    Last Post: 11-17-2004, 11:21 AM
  4. Studio Monitor Evolution and Use
    By Don McRitchie in forum General
    Replies: 0
    Last Post: 11-17-2004, 10:41 AM

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •