". . . as you have no doubt noticed, no one told the 4345 that it can't work correctly so it does anyway."—Greg Timbers
[quote= jcrobso, pyonc, SMKSoundPro/Scotty, BMWCCA:dont-know, 15 others, & me]
The cure is a different amp! ,
It is time to take yours to the Good Will Store![/quote]
Well, at least you are having fun, new member, neeWelcome to our museum! & BTW, do you have a cat?...& Maybe a motorcycle?
herki
Last edited by herki the cat; 04-14-2010 at 09:39 PM. Reason: nada
After all of this I'm curious what it looks like!
I am too! Please post pics of the offending amp, and it's internals if possible. It may be a simple fix, or it just may be trash! Let us help you decide.
Scotty.
One step above: "Two Tin Cans and a String!"
Longtime Alaskan Low-Fi Guy - E=MC² ±3db
Me too! and while you are at it, please trace out a schematic so we can have look at the forward gain/phase shift topology in terms of the negative feed back stability margin which probably would benefit from the Zobel Net Work recommended by jcrobso. He has been around the block a few times, Scotty also.
herki
Yep, certainly having fun!
I have a cat, but no motorcycle.
I started tracing out the schematic but then gave up after a confusing half an hour - the amp cost me nothing, I fixed it with 4 diodes, it sounds fine, I won't use it with the 4311Bs and if I do I'll plug the ports. I'll try and get a photo of the guts though.
Irregularities in record vinyl can cause sub low frequency output. A good high pass filter when using LP's is always a good idea. Play the silent sections at the beginning and end of a LP and watch the cone motions. It may not be flapping around but i bet it will be at least quivering/fluttering. with music playing you may not be able to directly see it but it will still be in the background.
Mike Caldwell
www.mikecaldwellaudioproductions.com
Maybe a video would help us see what is happening.
Flapping :dont-know
I want to see the video without excuses no later than today 6pm UK time. So chop, chop get to it and may the flapping be with you.
you now have "flipping" 28 minutes till 6:00pm UK time that's 18:00 hours for all those who can't tell time.
Mike, the text of my two cents here certainly is old hat, :dont-know but it may nudge some creative person to come up with a few ideas to improve turntable technology simplicity that doesn't need to cost $10,000 to $125,000.
BTW... BMWCCA, where did you find this lovable :dont-know icon.
The "Well Tempered Arm Turntable" system iS a good example of very simple, clever, reliable, well designed system in all respects. To see the "Amadeus GT model," visit this link= http://www.welltemperedlab.net/welltemperedlab/
This problem of floppy records as you know is further aggravated by reinforced woofer feed-back energy coming up through the turntable plinth to the LP record. The usual fix consists of adding 50 to 75 pounds to the turntable platter and extremely complicate bearings plus another identical mass to the turntable plinth supported by a "highly damped spring" isolator system all of which collectively forms a low-pass filter tuned some where well below five Hz. This filtering is obviously necessary. Simplying product design always goes a long way.
Also, damping is required to manage the lateral and vertical resonance occurring some where in the spectrum of 6 to 12 Hz which is formed by the pickup stylus armature compliance and the pickup arm & cartridge mass reflected to the stylus point.
Record Master flatness requirements are addressed in the lacquer master cutting industry by use of a complicated " turntable platter-to-master disc" vacuum clamping system. The first mature Professional Quality Home LP Turntable Clamping System surfaced in the early 1980's in the "Canadian "Oracle Turntable Company" product featuring a slightly concaved platter top surface and a screw-down three-inch diameter record clamp machined out of Teflon to sort of squash the LP Record completely flat & locked down to the platter. This system is extremely effective.
There is an other interesting item regarding the sub-frequency spectrum of LP mastering where the mastering engineer struggles to achieve a minimum 17 minutes of program material on each side of the LP; this has to do with groove spacing and groove modulation amplitude of the cutting which becomes quite gruesome in the last half of the recording space because the groove diameter is reducing very fast towards the center of the record and the cutting wave front is fast becoming very steep.
The mastering engineer salvages stereo LP groove area by recording the spectrum below 100 Hz in monoral format there by sacrificing the vertical components of the bass spectrum in the stereo 45/45 two channel LP stereo recordings. This has always been the practice from day one in stereo LP recording which has misled nearly everyone to believe the myth saying there is no perceptable "natural stereo imaging" in the low frequency spectrum, which of course is what happens "man-made" in LP stereo recordings below 100 Hz to conserve LP groove area as described here.
This problem does not exist in digital CD recordings and sub bass stereo imaging does come in your CD's.
herki
Apparently this list's owners knew there would be those (like me!) who would offer opinions based on their own experience without the technical training to back them up. I use it with full knowledge of my own limitations. It also comes in handy when a question is posed without giving enough information, as well. And it seems more gentile than the ubiquitous "WTF".
Now, if your question was literal rather than rhetorical, click on the "More" button in the "Smilies" window during a reply and open up a whole new world of emoticon expression. No substitute for human-to-human interface but it can help with some problems of electronic communication that strip emotion and nuance from the message.
". . . as you have no doubt noticed, no one told the 4345 that it can't work correctly so it does anyway."—Greg Timbers
http://www.youtube.com/watch?v=2L0nG...eature=related
This test at the low frequencies 5~10Hz reminds of what my D140F looked like on that one amp. The cone would just move back and fort at a very low frequency. Look at the motion about 20sec into the video.
There are currently 1 users browsing this thread. (0 members and 1 guests)