The Seeds - Future
(1967, GNP Crescendo)
far out, man
The Seeds - Future
(1967, GNP Crescendo)
far out, man
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Shel Silverstein - Freakin' At The Freakers Ball
(1972, Columbia)
Shel Silverstein was a cartoonist, wrote poetry, plays, short stories and a number of children's books. An off beat song writer, he seems to be having a lot of fun here.
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Kinks - Lola Versus Powerman and the Moneygoround, Part One
(1970, Reprise) Artisan symbol in the deadwax
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McCoy Tyner - Sama Layuca
(1974, Milestone)
5 compositions of straight-ahead jazz from the member of John Coltrane's group. with vibraphonist Bobby Hutcherson, altoist Gary Bartz, Azar Lawrence on tenor and soprano, bassist Buster Williams, drummer Billy Hart and both Mtume and Guillerme Franco on percussion.
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.
drove down to Hawthorne and hit the dollar boxes...the Johnny Rivers and Rare Earth albums are doubles.the FleetWood Mac is a UK import.
Some kind of happiness is measured out in miles
Joe Sample/Ray Brown/Shelly Manne - The Three
(1978, Inner City) MASTERDISK RL in the deadwax; mastered by Robert Ludwig at Masterdisk
piano, bass, and drums played by masters. recorded in 1975 and originally released on the Japan East Wind label. wonderful straight-ahead explorations of jazz standards.
Too cold
Nice finds, have always liked the FM record and I bet the import sounds nice. The early Procol Harum is nice.
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Santana - Caravanserai
(1972, Columbia) Quadraphonic pressing
more jazz fusion less salsa, a mostly instrumental epic. Sounds incredible, shimmering high frequencies with the percussion & guitar solos.
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Chicago - Chicago VI
(1973, Columbia) Quadraphonic pressing
I'd probably have just shelved this one because I'm not a fan of the later pop-influenced Chicago records but I wanted to check out another Quad record. There are still redeeming qualities here and it's worth a listen, like the Chicago V record but weak on the songwriting and compared with the jazz explorations of the earlier albums.
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Good God - self titled
(1972, Atlantic) MASTERED AT FRANKFORD/WAYNE" / "It Comes Off The Top" in the deadwax, sides 1/2
The only record from this Philadelphia based rock/jazz band which opened for Captain Beefheart. The band's name came from a response from Don Van Vliet when asked for a name for the band. Includes an 8:53 cover of Zappa's King Kong and a version of John McLaughlin's Dragon Song. A random garage sale find a few years ago.
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Captain Beefheart - The Spotlight Kid
(1972, Reprise) Artisan symbol in the deadwax
Beefheart is a spicy menu, I'm still not caught up with his vocals but there is a lot to pick out in the music and stands up to repeat listenings. The blues with marimba and jingle bells.
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Deep Purple - Fireball
(1971, Warner Bros)
look up hard rock in the dictionary and there's (should be) a picture of this record. another one from 1971, a pretty good year for music. drink it in.
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Siouxsie And The Banshees - Kaleidoscope
(1980, Geffen)
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Must be in a flamenco/Animals mood ?? They seem to like covering Burdon , but do a nice job
Some kind of happiness is measured out in miles
It's my day off and my wife and daughter went out so I'm turning up the volume on this 2-CD set:
". . . as you have no doubt noticed, no one told the 4345 that it can't work correctly so it does anyway."—Greg Timbers
Van Morrison - St Dominic's Preview
(1972, Warner Bros) Winchester symbol in the deadwax; pressed at the Capitol plant in Winchester, VA
a 1979 tan label pressing. Soul, folk, blues, R&B, jazz, with some stream of consciousness similar to the Astral Weeks sessions. I have really warmed up to the early Van records, and the records and other media are enjoying repeated plays here.
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