I think it depends on the important details.
I have no doubt in a purely diy system you can optimise the result with the 2202.
More than a few have resorted to adding a different horn ect on to of the 4355 to satisfy the expectation.
I also think it looks really cool!
Only a few have done such with the 4343-4345 but they have tried other compression drivers upgrades like the Tad 2002 and dusting the titanium diaphragm with acquaplas.
For a example the actual mid, hf and uhf driver layout on the baffle of the 4355 is not going to work as well as a vertical arrangement. I am betting l get flamed for saying that. But people are using the more advanced compression drivers than in the stock 4355 such SL version of the titanium diaphragm in the 2446 in purely diy systems. (Some still like the diamond surround aluminium diaphragms.)
But that is not a stock 4355.
That is diy audio doing what is a smart thing to do.
I personally found after rigorous investigation with another forum member upgrading to a Pass Lab discrete class A active crossover the biggest single improvement toward an audiophile experience with these vintage systems. Those who are lucky enough to own the JBL DX1 are aware of this.
They demand the finesse of enhanced passive crossovers and electronics like many older vintage systems.
If you need an efficiency hike on the top three drivers there's an option now.
Not everyone needs that and some purists win with an enhanced fully passive systems like the 4344 using their own hi end amps. I completely get that.
Of course each to their own desires, needs and resources and do what makes you happy.
Pm me if you have a specific question or need support.