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Thread: built myself a 3-way with 2235 / 2123 / 2435 / pt-h1010

  1. #1
    Senior Member frank23's Avatar
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    built myself a 3-way with 2235 / 2123 / 2435 / pt-h1010

    hi,

    I built myself a 3-way with 2235 / 2123 / 2435 / pt-h1010 today.

    Having collected these drivers over the years and having used them (except the 2123) on and off in different 2-way settings, I decided I wanted to know what a 3-way with the 2123 sounded like.

    So I designed some cabinets so that I could also use the cabinets separately (should I want that), got me some wood and started glueing, cutting, drilling and building. It is now 23.00 here, and I have one channel playing using the M552 as a single channel 3-way active crossover.

    The 2123 probably has to loosen up some as they have never been used. Tomorrow I'll probably tidy up the back of the cabinet which is now fastened with wood clamps...

    Now I have to find myself another M552 and build the other channel too!

    I hope to have a measurement microphone and behringer ultra deq 2496 soon to see what the output measures like. For now it sounds ok.









    Regards, Frank

  2. #2
    Senior Member grumpy's Avatar
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    I would think this nice group of parts could be made to sound quite nice
    Especially not needing to push the horn/driver so low (as a two-way would).

    When you have time, perhaps you could post crossover settings and any
    EQ (active or passive) that you found appropriate/listenable. Often the M553's
    are nearly the same price as M552's, so you might keep an open view
    regarding what is available.

    A humble suggestion, if you already have a portable computer:
    skip the ultra deq and get a mic-pre/usb converter. Or, if you were
    planning on using the EQ facility of the unit, add the mic-pre/usb
    later, as you will get far more visibility into what's going on with
    an software analysis package than the RTA function of the deq box.

  3. #3
    Administrator Robh3606's Avatar
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    Hello Frank

    Curious to see how you like the combination of drivers.

    Rob
    "I could be arguing in my spare time"

  4. #4
    Senior Member demon's Avatar
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    very interesting...3way with the 10" mid, i bet it kills!!
    be careful.. and keep us posted.

    cheers,
    mikey
    I'm selling a pair of JBL 4435 in Vienna, Austria

  5. #5
    Senior Member frank23's Avatar
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    Quote Originally Posted by grumpy View Post
    I would think this nice group of parts could be made to sound quite nice
    Especially not needing to push the horn/driver so low (as a two-way would).

    When you have time, perhaps you could post crossover settings and any
    EQ (active or passive) that you found appropriate/listenable. Often the M553's
    are nearly the same price as M552's, so you might keep an open view
    regarding what is available.

    A humble suggestion, if you already have a portable computer:
    skip the ultra deq and get a mic-pre/usb converter. Or, if you were
    planning on using the EQ facility of the unit, add the mic-pre/usb
    later, as you will get far more visibility into what's going on with
    an software analysis package than the RTA function of the deq box.
    I have set the crossover points at 150Hz and 3000Hz now. Also the m552 has the CC EQ configured for the high output.

    What would be a better combination sound wise, buy another m552 and have dual mono, or buy one m553 and use one stereo (and have my current m552 free for other projects).

    Do you have suggestions for the usb mic / software combination? I work on a mac, but can also use an XP laptop.

  6. #6
    Senior Member pos's Avatar
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    150Hz is a bit low for the 2123, you will need some eq if you want to cross that low.
    3000Hz is also a bit to high: the 2123 will beam too much at this frequency. The best is to choose a frequency at which the 2123 and the waveguide have the same beamwidth (ie 100deg) :
    http://audioheritage.org/vbulletin/s....php?t=24621#5

    Also the CD compensation build into the m552 is good enough for general purpose PA, but it is certainely not properly matched to this waveguide.

    If I were you I would build Rob network (exact same component) for the top, and try the m552 to biamp with the 2235 coming somewhere between 300 and 400Hz

  7. #7
    Senior Member frank23's Avatar
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    Quote Originally Posted by pos View Post
    150Hz is a bit low for the 2123, you will need some eq if you want to cross that low.
    3000Hz is also a bit to high: the 2123 will beam too much at this frequency. The best is to choose a frequency at which the 2123 and the waveguide have the same beamwidth (ie 100deg) :
    http://audioheritage.org/vbulletin/s....php?t=24621#5

    Also the CD compensation build into the m552 is good enough for general purpose PA, but it is certainely not properly matched to this waveguide.

    If I were you I would build Rob network (exact same component) for the top, and try the m552 to biamp with the 2235 coming somewhere between 300 and 400Hz
    ok, I'll try some other crossover frequencies and see what the result is, luckily it only takes the turn of a knob, ready in a few seconds

    but since my goal is to have one driver cover the whole mid without a crossover in critical areas, crossing over at 1500Hz will be too low for that goal, but I'll experiment

    I know the CD compensation is not optimal, I hope to get an RTA measurement device soon and see if it tells me the same as my ears

  8. #8
    Senior Member grumpy's Avatar
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    Mac software... I've been pleased with FuzzMeasure. Their web site has
    some usb/pre and mic recommendations.

    I concur with 'POS', in that ultimately, you may want to consider a passive
    network for the mid/high transition and to EQ the horn/driver.

    M552 vs M553? seemed like if you could find an M553 at the same or similar
    price, it would be a win-win.

  9. #9
    Senior Member Russellc's Avatar
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    Quote Originally Posted by frank23 View Post
    hi,

    I built myself a 3-way with 2235 / 2123 / 2435 / pt-h1010 today.

    Having collected these drivers over the years and having used them (except the 2123) on and off in different 2-way settings, I decided I wanted to know what a 3-way with the 2123 sounded like.

    So I designed some cabinets so that I could also use the cabinets separately (should I want that), got me some wood and started glueing, cutting, drilling and building. It is now 23.00 here, and I have one channel playing using the M552 as a single channel 3-way active crossover.

    The 2123 probably has to loosen up some as they have never been used. Tomorrow I'll probably tidy up the back of the cabinet which is now fastened with wood clamps...

    Now I have to find myself another M552 and build the other channel too!

    I hope to have a measurement microphone and behringer ultra deq 2496 soon to see what the output measures like. For now it sounds ok.









    Regards, Frank

    Nice, I would like to try the same type of thing. Also have the 4507 box and NOS 2123H drivers. will use 2425H and 2344a and 4430 HF comp however.

    Russellc

  10. #10
    Senior Member 4343's Avatar
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    Cool

    Quote Originally Posted by Russellc View Post
    Nice, I would like to try the same type of thing. Also have the 4507 box and NOS 2123H drivers. will use 2425H and 2344a and 4430 HF comp however.

    Russellc
    That's almost the route I'm taking, except the box so far is designed to house everything. Might change that before I put it together after seeing the two-piece design. I'm working on a sub for one of my three 2235H's now, so maybe I'll try it with the 2223H and 2344 in a separate cab before I commit to the all-in-one box...
    Mike Scott in SJ, CA
    Drive 'em to the Xmax!

  11. #11
    Senior Member Russellc's Avatar
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    Quote Originally Posted by pos View Post
    150Hz is a bit low for the 2123, you will need some eq if you want to cross that low.
    3000Hz is also a bit to high: the 2123 will beam too much at this frequency. The best is to choose a frequency at which the 2123 and the waveguide have the same beamwidth (ie 100deg) :
    http://audioheritage.org/vbulletin/s....php?t=24621#5

    Also the CD compensation build into the m552 is good enough for general purpose PA, but it is certainely not properly matched to this waveguide.

    If I were you I would build Rob network (exact same component) for the top, and try the m552 to biamp with the 2235 coming somewhere between 300 and 400Hz
    What is the " Rob net work" for these components?

    Thanks inadvance, Russellc

  12. #12
    Senior Member Russellc's Avatar
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    Quote Originally Posted by 4343 View Post
    That's almost the route I'm taking, except the box so far is designed to house everything. Might change that before I put it together after seeing the two-piece design. I'm working on a sub for one of my three 2235H's now, so maybe I'll try it with the 2223H and 2344 in a separate cab before I commit to the all-in-one box...
    I have the 4507 box for 2235H, so I'm thinking of a 2 piece design as well.
    That knock down parts express box may be perfect for this! (Except for the 12 inch hole. there's plenty of room to add another front baffle over it with a hole for the 10 incher!)

    russellc

  13. #13
    RIP 2011 Zilch's Avatar
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    I believe we have been here recently:

    http://www.audioheritage.org/vbullet...603#post249603

  14. #14
    Senior Member pos's Avatar
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    Quote Originally Posted by Russellc View Post
    What is the " Rob net work" for these components?

    Thanks inadvance, Russellc
    It is the network Robh3606 is using in his similar design.
    I believe he posted it somewhere on these forums.

  15. #15
    Senior Member pos's Avatar
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    no, I though you had posted your 2123+2435/PT-H1010 network somewhere.

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