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Thread: L100/4310 - 4311 - The Resurrection

  1. #1
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    L100/4310 - 4311 - The Resurrection

    The purpose of this thread is talk about the merits and dynamic qualities of this JBL Speaker system.

    Despite the fact that this is a Lansing Heritage Forum there is a perception and a tendancy to take the performance of this monitor series out of context in favour of more recent models.

    While there may be logical arguments as to improved technology & engineering advances in more recent designs, the fact is that this monitor has fulfilled a specific need with unprecedent demand.

    This issue came up in a recent on-line discussion among senior members so we as a Forum need to re position this percpetion as opposed to debating comparions with designs 30 years younger

    Ian Mackenzie

  2. #2
    Figge
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    4311

    HI! i love these speakers. and have done so ever since i´ve heard em the first time 10 years ago. they love to play rock´n rolll! not many speakers does this better, with exeption of some other jbls. 4311 probably would kill anything u drag home from a audiostore at under $2000. maybe even more! i compared them to a pair of infinity SM-155 couple of years ago they did cost $2000. shure there was lots of bass mid and treble in those big speakers perfect for euro-tecno maybe. but when playing music in to those it sounded like shit! compared to 4311. for me the L-100/4311 has been the guiding light that now finally led me to 4430. i will still love these speakers even though i bought the 4430
    Last edited by Figge; 06-13-2004 at 10:10 AM.

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    My first experience was hearing the 4311 from an adjacent studio at a local TV network. I was expecting to see a large monitor when I entered the control room, but there they were perched in a near field location in front the Neve Desk.

    I have owned my L100 (4311A) system for only 18 months and find they are very appropriate for near field monitoring. Their compact size and crisp dynamics continues to impress.

    Far from the rock heritage of the 70's and 80's , what I find quite remarkable with the L100's is that they are easily capable of discerning and assessing subtle differences in todays state of art amplification.

    Today I use the L100 as a control reference.

    Ian Mackenzie

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    I have no doubt new models bring refinements but thats not the point here.

    More to the point here is that "a grungy amplifier" will make this speaker sound awful in varying degrees. Probably 1/2 the L100s sold are used that way!

    Ian



    Last edited by Ian Mackenzie; 06-13-2004 at 07:14 AM.

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    Giskard,

    L100 raffle. "Control reference" is a good use.

    John

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    Hey, Ian...

    Originally posted by Giskard
    The 4400 series would be another option.
    Agree completely with that. Wonderful group. I do like the 4301B's, but find the littler 4406 a wonderful near-field. Certainly either are better balanced for that application than the L100. JMnHO...
    Last edited by boputnam; 06-13-2004 at 06:49 PM.
    bo

    "Indeed, not!!"

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    Sure Bo,

    I don't disagree.

    But we could Eq that characteristic out too. What I am saying is that I can play the same Corrs track over and over, make subtle changes to the audio electronics and hear the difference without concerning myself whether I like Andrea's vocals or not.

    When the audio signal is pure enough, you can then apply those listening skills to the production values of the recording.

    Not many speakers are capable of that and many gloss over the details leaving the sub consious to fill in the gaps. I am talking about the domestic hifi speaker here, smooth, polite and your whole collection sounds great. Not so with a control monitor.

    The professional operator in a master control suite of your local TV station or post production film editor in the booth needs similar precision. It may not be the flattest monitor but that is not the key criteria in all situations.

    Perhaps this is where there is some confusion at least as far as the 4311/L100 is concerned.

    Ian

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    It would be interesting to hear some background from the designer of the recent incarnations of the 4311, the Century Gold being the most recent.


    http://www.lansingheritage.org/html/...ntury-gold.htm

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    Giskard,

    Can you elaborate on the voicing and the reasons for the change in direction?

    Ian
    Last edited by Ian Mackenzie; 06-14-2004 at 04:17 AM.

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    Giskard,

    "Control reference" to me means anything you want it to mean as long as every time you power it up, it does the same thing.

    There may or may not have been subtle humor in the original statement.

    John

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    Hi John,

    At last someone who actually understands the terminology.

    The fact is when I am testing an amplifier I am mainly listening for a difference and if something goes amiss then the L100 is the sacrificial lamb.

    My L100's are otherwise normally used for rear surround 5.1 which is mainly effects..........nearly had all you guys fooled LOL

    Ian

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    Re: L100/4310 - 4311 - The Resurrection

    What??? The L100/4311 died??? No freakin' way!!! It lives! It lives I tell you!!!

    It's the best freakin' loudspeaker ever made and if anyone tries to tell you different just crack up laughing while envisioning them talking to you bent over like Jim Carrey in Ace Ventura - Pet Detective.

  13. #13
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    Originally posted by Ian Mackenzie
    Hi John,

    At last someone who actually understands the terminology.

    Ian
    No way! You gave him a "teminology" hint in a PM.

  14. #14
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    Originally posted by John Nebel
    Giskard,

    "Control reference" to me means anything you want it to mean as long as every time you power it up, it does the same thing.

    John
    That makes the Juan Dear kick start vibrator with "tickle" attachment the model of "control reference" then doesn't it...

  15. #15
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    Hey,

    No laughing at the the guy in the computer room okay.

    Just remember, one flick of the switch and its lights out for all of us.

    Ian

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