Well your right, I suppose.
In the 1970s and 80s, JBL used to DOMINATE in all markets. However, now it is different. Their presence in home theater is minimal at best; in large scale sound reproduction they are the best but others are making significant headway. In theaters they still own the market, I presume.
Everyone has their own views on their troubles but I would characterize the issue as one of people not caring much about the quality of sound (music) reproduction.
Why use a heavy big complicated piece of sound equipment when a cheesie small unit is availible and cheap?
Yeh, their stuff is technically superior to about 98% of everything out there but, again, unfortunately, not many people care much.
the fact Canada has so many speaker manufacturers and is government supported has anything to do with it.http://www.canadianmade.com/speakers.html
New JBL LSR arrivals for 2009 the 2300 series looks posh. too bad I’m poor person and can only afford JBL control 5 and 1 and one JBL diy 4645.
JBL 2300 series
http://www2.jblpro.com/catalog/general/ProductFamily.aspx?FId=73&MId=5
Google product search only has two possible low prices thou I would pass on the £81,339 I don't have £81 grand what noody cloud are they living on for pete sakes?
http://www.google.co.uk/products?q=JBL+LSR2328P+&hl=en
http://www.psbspeakers.com/audio-top...ton-at-the-NRC
http://www.nrc-cnrc.gc.ca/main_e.html
Nothing derogatory meant.
Let's check our ego's at the door and stay on topic.
LE15-Thumper
"Give me JBL, or give me death"
Quote: "Just so Al Gore can't claim that he invented the MP3 as well as the internet." John
But perhaps he will broker... Tin Ear Credits?
OK, I apologize for staying off topic. Honestly!
My recent experiences with JBL have been with a purchase of S38's used, a modest three way bookshelf speaker. I liked them quite a bit. I sold them to a musician and recently listened to them in his home and they still sound quite good.
JBL's S120PII ported subs. I liked them as well.
4408A studio monitors. I sold them and the subs to a musician who uses them as mixers when he records his band. I liked the 4408A's as well.
I presently use 4412A's along with a sub for my basement sound system and they continue to delight and surprise me, they are quite good when used with good source material. I can pick out mixes and CD's with too much reverb, lousy recordings of snare drums etc. Earlier today I was listened to a nicely recorded Maynard Ferguson CD and well, it was all there nice and clean. I don't know anything about how music is recorded and mixed and all that. What I do know is with the 4412A's I can 'hear into' how the source materials were recorded, by that I mean, when the source was done well I can hear all the instruments and the instruments sound like what I 'think' the instuments are supposed to sound like. Pianos sound like pianos, saxaphones sound like saxaphones, trumpets, drums etc. When I listen to some of the Rippington stuff, well some of it is right and some of it isn't. I have heard the term 'revealing' and that seems about right.
The Polks I use in the living room and the NHT bookshelves I use in the rec room theatre system seem to be more 'forgiving' and not quite as 'revealing' of the mix-close, but not quite as accurate.
I guess it just all depends. I do know that if I had lots of bucks and needed to buy speakers, certainly I would seek out some of the higher priced JBL offerings.
I like this forum and all the info presented, and, yes, the market place is changing. Then again, everything changes any way so . . .
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