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Thread: CROSSOVERS

  1. #1
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    CROSSOVERS

    Hi Guys, I want to pick the brains of anyone who has the chance to compare an L150 and a 4411. What is the best way to go with regards to crossovers? I am building a couple of new fronts for my home theatre. They will be a bit different from the norm in that I will have a 128H and a PR300 for the bottom end, a pair of LE5's for music mids, an 044 for music highs, a 2425 and 2370 for theatre mids/highs and a 2404/2405 for UHF theatre highs. A complex design I know, but I have done a lot of testing and this is the ultimate combination for what I am trying to achieve. What is the main difference between the rather complex 4411 xover and the simplistic L150? Your opinions would be much apreciated. Thanks.

  2. #2
    RIP 2011 Zilch's Avatar
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    Regarding the complexity, look for starters at the 4411 operating specifications. It may be adjusted to either old school control monitor or contemporary studio monitor standards. That may cover a specific and broader range that other crossovers cannot, and have no purpose to, achieve....

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