Another artist that I don't particularly care for is Macy Gray. Hey SeaWolf, is the sun shining there in Portland? It is up here 100 + miles north of you.
Larry
Another artist that I don't particularly care for is Macy Gray. Hey SeaWolf, is the sun shining there in Portland? It is up here 100 + miles north of you.
Larry
Good call on cougar what ever version he is! Only 1 step above Petty
Mark
Changing to Legacy Audio and started with a Silver Screen HD for my center between the 250TIs
If you read back thru this thread ...one fact jumps out,,,,there are very FEW female vocalists here ....mostly Mariah, Celine and Whitney.
VOCALISTS: Are we tougher on males or are females just more pleasing to the mostly male forum ??
Some kind of happiness is measured out in miles
Speaking of female vocalists, I was listening to a smooth jazz station some time ago and they played Mysteries. The band was note for note identical with the Manhatten Transfer version, but what the hell was wrong with Janis Seagal? She sounded like someone was stepping on her boobs. Turned out it was Anita Baker, arrrrgh!
Kenny G is also atrocious. One word sums him up -- sappy.
One things springs to mind.......does anyone play music through thier JBL's or do they just sit there gathering dust?
Allan.
The Talking Heads - I abhor their music, and can only speak about it in terms that I can't use in polite company!!!
Also Joni Mitchell annoys the every living sh*t out of me for some reason I can't really describe.
At least I'm an equal opportunity "hater" in terms of gender of the vocalist/group.
Best,
- Mike
I saw Joni at Big Sur in 1968 , she blew away the audience who had never heard of her ..I got her first album (songs to a Seagull), which was magic ,,,,BUT THEN ,,I dont know what happened ,,,,she grates on my ears now ,,, but that first LP is still so nice..
Amazon.com
Canadian singer-songwriter Joni Mitchell debuted in 1968 with this impressionistic and slightly overwrought album. Produced by David Crosby, the album uses very sparse instrumentation--mostly Mitchell on acoustic guitar with Stephen Stills on bass--to back Mitchell's incredibly complex lyrical forays. (The original LP's sides were subtitled.) But despite her grand plans, the disc is most successful in its humblest moments. "Michael from Mountains" (successfully covered by Judy Collins), "Night in the City," and "Marcie" all contain the seeds of Mitchell's best work, her melodic explorations, and observant eye. Tracks such as "The Dawntreader" and "The Pirates of Penance" are too close to creative-writing exercises to succeed. Nonetheless, a tantalizing debut. --Rob O'Connor
2 Joni's ???
Seems to happen to a lot of artists in this thread .. they were great starting out ,,,,then turned to sh*t (where is that emoicon for a terd ?)
Some kind of happiness is measured out in miles
How's this??
Rob
"I could be arguing in my spare time"
Here I thought I was known for my negative reactions to stuff; I find myself very high on some Talking Heads tunes. The bass line alone makes "Psycho Killer" worth it. Their version of "Take Me To The River" is my favorite. Likewise, "Wild Life" is a favorite, and, unrelated to the music, I loved John Goodman in the video.
"Once In A lifetime" is one of my cultural litmus tests. Straight people detest it, less uptight listeners tend to think it is one of the great songs of all time. Talk about a love it or hate it band!
I have mostly stayed away from this thread because I tend to think most really popular cultural icons suck pond water and the community is better served by my silence. Talent is what turns me on and popularity counts for nothing with me. If anyone really wants my opinion, ask for it. Otherwise, count your blessings.
Clark = ?
Information is not Knowledge; Knowledge is not Wisdom
Too many audiophiles listen with their eyes instead of their ears
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