After ten years this Brazilian band got a record contract a couple days ago when their new video hit 2 million views. Mizuho Lin has been their lead singer since 2010 but she also sings and teaches Opera style.
Please feel free to enjoy
https://www.youtube.com/watch?v=89zeRltWNAA
Requires age confirmation at youtube and that has been circumvented here
Inappropriate here on so many levels
youtube blocks it from view and requires sign in to watch
This forum doesn't allow written profanity religion or politics as far as I know, so why this?
Please let the poster just provide the link to youtube and if people want to view this sort of filth they can sign in and do so
I wouldn't want my young children to watch this crap
Thanks
Joe
George Harrison first mentioned the Traveling Wilburys during a radio interview with Bob Coburn on the Rockline radio station in February 1988. When asked what he planned to do as a follow-up for his Cloud Nine album, Harrison replied: "What I'd really like to do next is... to do an album with me and some of my mates... a few tunes, you know. Maybe the Traveling Wilburys... it's this new group I got: it's called the Traveling Wilburys, I'd like to do an album with them and later we can all do our own albums again."[1] "Wilbury" was a slang term first used by Harrison during the recording of Cloud Nine with Jeff Lynne. Referring to recording errors created by some faulty equipment, Harrison jokingly remarked to Lynne, "We'll bury 'em in the mix".[2][3] Thereafter, they used the term for any small error in performance and the term was used again when the group were together.
https://en.wikipedia.org/wiki/Traveling_Wilburys
Some kind of happiness is measured out in miles
Nice Post.
I liked this video
https://www.youtube.com/watch?v=JhOhGhq0e54
From the trusty Tiny Desk Concert feed, 2011.
Information is not Knowledge; Knowledge is not Wisdom
Too many audiophiles listen with their eyes instead of their ears
Okay, since most guitar heroes these days play Metal there are scads of YouTube musicians shredding in their bedrooms to a video cam. One good thing about it, unlike in the business females are not underrepresented. There are also a ton of young Japanese girls being flashy on the bass. With so many out there, and with many Heavy Metal leads and riffs having a semi-generic feel, the only thing that grabs my attention anymore is an above average choice of music to play. And I hadn't been grabbed forcefully since Orianthi channeled Carlos Santana.
Until the then fifteen-year-old (which has nothing to do with anything but bodes well for the future) Tina S did justice to David Gilmour's most beloved solo. She had me from the first note. As far as covers go, it brings to mind Jeff Beck playing Little Wing live. She's French. Sad to say, she gets a lot of backlash comments because she won't mug and wince like the guys usually do. Who cares... It's less than two minutes, give it a shot.
The second video: Even for this crowd Tina is fast and is an incredibly clean picker in anyone's book. Best of all, her left and right hands are equally adept. I just don't know what to say. (If you want another great talent that has really, really satisfying feel try fellow Frenchwoman Juliette Valduriez, aka Juliette Jade. Blazing speed, Juliana Wilson fron Argentina. Sophie Lloyd in the UK has a sweet, melodic Rock style and she sounds like a fully mature Classic Rock guitarist. So satisfying. Juliana, Tina and Sophie share the third video.)
https://www.youtube.com/watch?v=2_P-t0idgqI
https://www.youtube.com/watch?v=DIGfO2Dgc9Y
https://www.youtube.com/watch?v=0Puydxdh8w0
Information is not Knowledge; Knowledge is not Wisdom
Too many audiophiles listen with their eyes instead of their ears
I especially enjoy musicians holding forth with fine talent on an exceptional instrument. This is not limited to acoustic performance; Billy Gibbons on Pearly Gates, oh my. But here is Cindy Combs from Kauai playing two Slack Key solos on her 1934 Martin O-18. I have encountered the opinion that the mid 1930s was an especially sweet sweet spot for Martins. The "O" or double O or triple O Concert series have smaller bodies and more balanced tone; the Dreadnaughts sound to me like two distinct instruments at the same time, broadening the stage presence of a single accompanist. I could say impact over nuance, but it is more complicated than that. No question the volume and power of the Dreadnaught are intoxicating; also no question the OO records better. All generalizations, of course. I'll never complain about Tony Rice playing Clarence White's Martin, but there is another path and here are two superb examples of it. Both Cindy and the wood are sounding amazing.
These links have audio and title cards only. No visual distractions. It's YouTube so the second track will play after another ad if you don't do anything.
https://www.youtube.com/watch?v=RGNK...4qFh5&index=52
https://www.youtube.com/watch?v=GIJ8...bpJnrl3F04qFh5
Information is not Knowledge; Knowledge is not Wisdom
Too many audiophiles listen with their eyes instead of their ears
Not everyone's cup of tea, but music doesn't get any more honest than this. Tremendous talent here. FYI Derek Trucks uses no pedals.
https://www.youtube.com/watch?v=RRipadkd6wk
Information is not Knowledge; Knowledge is not Wisdom
Too many audiophiles listen with their eyes instead of their ears
Information is not Knowledge; Knowledge is not Wisdom
Too many audiophiles listen with their eyes instead of their ears
Information is not Knowledge; Knowledge is not Wisdom
Too many audiophiles listen with their eyes instead of their ears
Guitar-Cello duets. There is more on his webpage. There is a slight glitch and yo have to back it up to the beginning when it opens. I know the composer's work from MA recordings put down almost thirty years ago.
https://youtu.be/QlPn6QoxQQ0?t=23
Information is not Knowledge; Knowledge is not Wisdom
Too many audiophiles listen with their eyes instead of their ears
Information is not Knowledge; Knowledge is not Wisdom
Too many audiophiles listen with their eyes instead of their ears
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