This is nothing to do with other recent threads other than the model.
The first speaker I tried out the new Passlabs X250.5 on was my L100's.
Why do you ask? Sacrifical lamb? While I was setting up the amp..maybe.
But I wanted to hear it on an ordinary 3 way full passive loudspeaker.
So what I did was I perched them up on bar stools about 1 metre off the floor laying on their sides and positioned them about 1.5 -2 metres or less from the listening position. I don't recall where I had the Lpads set but they are set for smoothest balance.
Anyway this is essentially a near field listening setup and its how these particular systems are/where used in studios.
With a friend we played the L100's with X250.5 till the early hours of the morning and we had a lot of fun. That is what this is meant to be all about!
The sound of the amp, or lack of it was immediately obvious and as my friend a musician said you can hear the attitude of the artists with this amp. That being the vigor and pace, and the tonality that comes across with a particular style of playing of a musical instrument.
Some tunes are dull and boring and so they are sometimes played with attitude.
We could also hear distinct differences when swapping the front end digital transport and optical and co axial digital cables.
The fact is used right the L100 is quite good at bringing out and distinguishing specific details. It may not have the most linear response or have the lowest IM distortion but when you use it the right way and for the intended purpose it actually does the job. They were never intended as a home hifi system but somehow it caught on when mixers took them home for parties and what not.
I have several loudspeaker systems, the L100 is not the best of the bunch but it is the most fun to play with...
Ian