Line array tech coupled with DSP signal processing and class D amplifiers have changed the game. It would be a different experience without those technologies. The classic 'pile up enough speakers...
Type: Posts; User: Riley Casey; Keyword(s):
Line array tech coupled with DSP signal processing and class D amplifiers have changed the game. It would be a different experience without those technologies. The classic 'pile up enough speakers...
That channel was for a tubular gasket which really only worked on machine cut baffle holes cut to JBL specs and even then on many JBL made speaker systems the gaskets didn't seat properly. Use flat...
I'm continually amused by young people who tout the superiority of vinyl and then play their new records thru their Sonos glorified table radios.
Do you not have enough EQ on the input side of the DSC260 to do your "room correction" ? In my experience room correction is done with a sledge hammer but I think I understand what you mean.
Having been a user of UREI equalizers and compressors from before they even made speakers we called them Your-E.
To answer the previous, years old question I've been using an Ashly Protea 4.24D DSP as my living room stereo crossover for several years. It's software is easy to navigate and its feature set is...
I've used Krylon semi flat black for decades to touch up live audio gear and it's the only spray can paint I've found worth the buy but still not appropriate for paper speaker cones. Spray paint...
They're satin black now, the stock color ( not the glossy black I see on some 4430s ) and I want to do some sort of saturated blue or red. I'll see what SEM has.
I've been listening to a pair of JBL 4828 speakers as my living room hifi for years but the grey and black stage monitor motif is getting old among the furniture. I'd like to remove the horns and...
If you are indeed looking at creating a new analog electronic crossover you could look to updating the venerable BSS FDS360. The capacity for setting the crossover frequencies and slopes with plug in...
Looks an awful lot like someone was trying to clone an EAW SB850 but loaded with JBLs rather than RCFs.
You want to keep your sound sources as close together as possible to reduce phase issues between them. If you want to raise say the horns to ear level then ideally you would raise the entire speaker...
If you don't 't need them right away then https://www.parts-express.com/JBL-D8R2425-Genuine-Diaphragm-for-2425H-2426-2427-8-Ohm-294-4013
Otherwise a pair of these would work but with less HF...
It's been decades since I worked with choosing Ferro Fluid to add to drivers that didn't have it to begin with but I do remember there being at least two and maybe three versions with different...
Yes, If you want to use them together in a passively crossed over system you will want them to be the same impedance If bi-amping and with separate amps for each driver you could adjust as needed to...
Ferro fluid should follow the magnetic field. If it was not evenly distributed around the gap that's suspicious. It's a fairly viscous, oily sort of liquid so if yours was watery perhaps it was...
Sounds like you cleaned out the brownish FerroFluid and if so now your power handling is reduced by 50%. Did the other similar drivers not have Ferrofuild? If you've confirmed that the gap isn't...
Bend the solder lug on the back of the driver terminal in toward the voice coil if it has room to move. Some do, some don't. Soldering a loop made from some stiff wire ( cut off resistor lead works...
Just keep in mind that a nominal -10dbm input on the 1/4" jack side of the DI will give you about a -40 dbm mic level XLR output side of the DI. Useful if you're feeding a recorder that has mic level...
_IF_ all of your playback takes place from a computer simply buy a copy of Dante Virtual Soundcard from the Audinate site, install it on the playback machine , select DVS as your audio out, connect...
Do a search for the term "monitor controller for DAW".
It would probably sound like a Klipsch La Scala. The big horn loaded Klipsches like the La Scala and the corner horn were mainly an effort to get much more acoustic output from the relatively small...
My drive by critique of your pan.
Make it a four way tai-amped system with the 18" for lows crossed into the 12" as mid bass at about 200 hz. Use the 2350 ( if you have to, its a really bad horn...
I would avoid putting painters tape on the dome. The adhesive is not paint, it's very robust stuff and you're likely to end up with a permanent fringe of blue paper tape under the adhesive if you do...
Just to be clear, you do want black glue on the aluminum dome. The dome and the slope of the cone form a V groove where they meet. You want to fill that groove with glue evenly all the way around...