Multiple horns vs. multiple LF drivers
I wanted to know if anybody has used multiple horns with one LF driver as opposed to using one horn with multiple LF drivers which I see frequently. I ask because I was considering the arrangement of most orchestras which include only one or two tubas seated in the back as more would likely overpower the rest of the orchestra. My second reason for asking is I am planning on building a set of Altec model 19s and now have a set of 511 horns and another set of 811 horns with drivers for all 4 horns. I would build the 811s into the cabinets and mount the 511s on top so the horns would be stacked over the LF driver. I would have crossover considerations to deal with as well. Any thoughts would be appreciated.
Thank you all for your input
Quote:
Originally Posted by
gdmoore28
Steve, For your entertainment you might want to take a look at my Altec build, seen here:
http://audiokarma.org/forums/index.p...onents.766911/
You might get a few ideas here. I liked the Model 19, Model 606, and the 511 horns, and ended up essentially combining them all into a finished product that I am quite pleased with.
GeeDeeEmm
Hello, Thank you all for you input. These will be used in my home. I am in the beginning design phase and have a little wood working experience & electronics experience. I purchased a set of Model 14's new back in 1982 and still have them as my primary speakers. I had to take them home one at a time in a Triumph TR-6 with the roof down and could not use 5th gear. Can't imagine how that would have worked with model 19s. I first heard model 19s in a hi end hi-fi shop when I was 18 and the sound just blew me away. The 14s have been great all these years and I have had the LF drivers refoamed once in 1996 and re-capped the crossovers last year. I have had it in my mind to "upgrade" to the model 19s for a while and wanted to try building a set with original parts.
I have a book by Badmaieff and Davis called "How to build Speaker Enclosures" which has a lot of nice information. Using the 511 horns in the enclosure would require more depth in the cabinet, so I was thinking of building the 811s into the cabinet and mounting the 511s on top. The book suggests aligning the HF Diaphragm with the base of the cone in the LF driver (Sorry, I forgot the proper terms used in the book) roughly. I have a set of 800 series and a set of 900 series HF drivers in boxes in my closet somewhere. I also have an extra set of model 14 crossovers that I re-capped when I did my originals last year. The 14 crossovers work at 1500 Hz and the model 19s were crossed at 1200 Hz, so I will do something about that I think. The LF drivers I just purchased are a pair of 416-8Bs that were previously re-coned in 2002 and one has a repair on it, so I intend to get them re-coned hopefully by GPA.
I'm not limited by size for the cabinets (within reason), so I can alter the original cabinet dimensions if I need to. I'm considering what material(s) I want to use. Some combination of 3/4" plywood and MDF seems doable. I was thinking 3/4" MDF for the back and front panels. I have plenty of time on my hands and this will be a long term project.
Crossovers- Model 14 vs model 19
I had planned on making the upper box removable for moving purposes so I can skip the tank treads on the bottom:). So I will think about making the upper box longer and/or moving it forward and see how much overhang there would be. Maybe just lessen the difference instead of eliminate it.
I have a set of model 14 crossovers and I know they have a different crossover point (1500 vs. 1200 Hz) and are for different drivers. I have a schematic of the 19s crossovers and wonder if I could swap in the model 19 valued parts? Would be easier to compare if I could find a schematic for the 14s crossovers. I understand that just using a different set of Altec crossovers won't give good results because they were designed with specific drivers and uses such as A7s were designed for large auditoriums and high volumes like in movie theaters. 14s are similar in that they are designed for home use and have 2 drivers, so maybe? Otherwise, I would go with model 19s or take a look at the z-19s.
2 Attachment(s)
Z-19 questionI have a question about the parts values in the Z-19
Quote:
Originally Posted by
gdmoore28
I think you are on a good path with your plans. A single horn with the newly reconed 416s will yield great results. Your primary concern is going to be building a good crossover network. I'm sure others will chime in with recommendations, but the one addition that I made to my crossover that made the most improvement was the incorporation of the Altec 30923 horn eq/attenuation network. This simple network (three resistors and one capacitor) is inserted between the hi frequency output of the crossover and the compression driver, and removes about 6-8 decibels of the mid-frequency peak that makes the 802 (and most other drivers of the era) sound "honky." The difference is literally day and night.
If you decide to build one of the "Z-19" crossover variants, you will not need the 30923, as an adjustable version of it is part of the crossover.
Finally, I've used POR-15 on various auto restoration projects since the late 1970s. It's a great product. But I don't think it will produce one ounce of damping for the horn. This is because POR-15 produces a relatively thin coating that is rock-hard and almost becomes part of the horn itself. It will make the horn casting a little bit thicker, for sure, but I'm quite sure that the only result is that the horn will simply ring at a different frequency - but it will still ring.
Others will likely add to the thoughts on this subject, but my personal experience with using the 802/511 combo in a home speaker system leads me to believe that the ringing is simply not an issue worth devoting much time or money. Just make sure that the horn is solidly mounted in the cabinet and you will be home free.
GeeDeeEmm
Hello GDEmm,
I am planning on building the crossovers using the Z-19 crossover. I found 2 drawings, but the resistors have different values or one is a mistake. In one the values are 2,3 and 4 Ohms and in the other they are 20, 30 and 40 Ohms? Is one a mistake? Also, what is the crossover point? 1200 Hz? Thank you.
"O" Vs. "0", I think you are right.
Quote:
Originally Posted by
Don C
I think that the character in the upper drawing is the letter O and not the number 0.
I think you are correct. I didn't think of that and I found a few more parts lists that had 2,3 and 4 instead of 20, 30 and 40. Thank you for helping.